Showing posts with label Eniola Adehin. Show all posts
Showing posts with label Eniola Adehin. Show all posts
Thursday, 29 March 2012
Friday, 9 March 2012
Editing - SoundTrack Pro 2
After adding sound effects to our opening, we decided that we needed some instrumentals so that the footage flows more. Therefore, on soundtrack pro, we decided to add in dark orchestral sounds to link the footage together.
Production - Footage.
Senses - Mini evaluation.
After posting the rough cut of Senses, we realised that there just wasn't enough footage as it was only 53 seconds long. We realised that our opening needed to be at least 2 minutes long. Therefore, we found that we needed to add more footage so that it will be at least 2 minutes long. Overall, we genuinely didn't have enough footage. However, because we filmed a scene on the bus which was initially supposed to be a main part of our opening, we could add in some footage from that scene to make it longer. Also, we decided to have the credits roll over a blank screen to make our footage longer.
Last Day - SoundTrack Pro

It is the last day of editing and these screen grabs show the process of adding on foley sounds and a soundtrack to our final thriller opening. We have used the following sounds:
- Natural sounds - City
- Natural sound - Room
- Whoosh air
- Impact crashes
- Heartbeat
- Walking
- Screams
- Clothes
- Scissors
- Drone - Suspense
- Drone - Etherel
- Drone - Dark and scary
Thursday, 8 March 2012
Last Day Of Editing
Here are a few shots of editing the day before our deadline.
As shown we have included a few other shots we weren't going to use initially to ensure the duration of our opening was a minimum of 2 minutes.
Today we'd also had to edit our title sequences to make sure they were within the green box guideline. This is so it is visible when it's shown to an audience.
As shown we have included a few other shots we weren't going to use initially to ensure the duration of our opening was a minimum of 2 minutes.
Today we'd also had to edit our title sequences to make sure they were within the green box guideline. This is so it is visible when it's shown to an audience.
Wednesday, 7 March 2012
Soundtrack Pro
This screen grab shows the process of adding foley sounds using Soundtrack Pro. We have decided to add sounds such as footsteps, natural environmental music in the background, screaming and cutting of the scissors. These all contribute to creating tension and suspense to the thriller opening.
Monday, 5 March 2012
Editing - Final Cut Pro
Here are some screen grabs we took to show our process of editing on final cut pro. It shows how we have used video transitions like cross dissolves and fade in and fade outs to make our footage look smoother.
Day 2 - Filming
After our initial filming process, we decided that in order to make our opening more effective and stronger we filmed some extra footage so that we can include it in our sequence. They were mostly close ups and extreme close ups. This is because this would reinforce the thriller elements within ouro opening. Also, as the screen shots show, we decided to film from different perspectives so that we have varying view points to choose from.
Thursday, 1 March 2012
Rough Cut
Monday, 13 February 2012
Day 1 - Filming.
These are some images that we have taken during the course of filming and preparations for the filming of our thriller opening. The shots of Lyah and Chanel were taken when we were filming at West Ham - the attack scene. We decided to try out different shots to see which would give the best result. This included trying to film from the psycho's (Chanel) perspective. However, we decided that this would look really unprofessional and messy so we chose to shoot an over the shoulder shot using the tripod to make it steady and balanced.
The other images were taken at Chanel's house. This was the last scene of our thriller opening. We had to prepare the props for the scene which included images of short hair taken from newspaper, magazines and the Internet and also extracts of hair cut from extensions and wigs.
The other images were taken at Chanel's house. This was the last scene of our thriller opening. We had to prepare the props for the scene which included images of short hair taken from newspaper, magazines and the Internet and also extracts of hair cut from extensions and wigs.
Thursday, 9 February 2012
Shot List For Senses...
Scene 1:
1. Extreme close up of Psycho's (Chanel's) eyes.
2. Pan of side of Psycho's (Chanel's) eyes.
3. Over the shoulder shot getting on bus.
4. Close up of Psycho's (Chanel's) feet.
5. Long shot of Psycho (Chanel) sitting behind Victim on the bus.
6. Close up of Victims neck.
7. Several close ups of Psycho's (Chanel's) hands. (smelling hair, with scissors, touching hair, cutting hair)
Scene 2:
8. High angle shot of woman walking. (P.O.V)
9. High angle medium shot of Psycho (Chanel) walking (P.O.V)
10. Close up of woman's head on the floor.
Scene 3:
11. Long shot of Psycho (Chanel) looking at the wall.
12. Medium/long shot of Psycho (Chanel) taking off wig.
1. Extreme close up of Psycho's (Chanel's) eyes.
2. Pan of side of Psycho's (Chanel's) eyes.
3. Over the shoulder shot getting on bus.
4. Close up of Psycho's (Chanel's) feet.
5. Long shot of Psycho (Chanel) sitting behind Victim on the bus.
6. Close up of Victims neck.
7. Several close ups of Psycho's (Chanel's) hands. (smelling hair, with scissors, touching hair, cutting hair)
Scene 2:
8. High angle shot of woman walking. (P.O.V)
9. High angle medium shot of Psycho (Chanel) walking (P.O.V)
10. Close up of woman's head on the floor.
Scene 3:
11. Long shot of Psycho (Chanel) looking at the wall.
12. Medium/long shot of Psycho (Chanel) taking off wig.
Tuesday, 7 February 2012
Location.
These images show one of the location of where we will be filming our thriller. This is at West Ham. We have chosen this location because it fits perfectly with the idea of someone peeping through a hole. Also, we believe that this will contribute to creating tension and suspense in our thriller opening.
Monday, 6 February 2012
SENSES - PROPS
| These leather gloves or gloves similar to these ones will be worn by the psycho. This is to keep her self a mystery and so evidence and fingerprints will not be left behind his crime scene. |
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| Shown is our main props; the wigs. We have chosen three wigs modelled, one of which is modelled by Eniola. Two of our wigs are short and cropped which will be worn by the psychos victims, whereas the long wig will be worn by the psycho herself (Chanel). |
| This is another prop we'll be using which is hair in a clear plastic bag. This is where the psycho will be putting his victims hair chunks after cutting. |
Animatics - Senses
This is an animatic of our final story board of our thriller opening. However, due to practicality issues, we have decided to alter the bus scene of where Chanel cuts somebody's hair. We're going to have the victim holding news paper and then Chanel is going to reach over to the victim to suffocate them and then cut their hair.
Sunday, 5 February 2012
Monday, 30 January 2012
PRELIM - Final Cut Pro - Process of making.
This is our final edited copy of our preliminary opening sequence. There are elements that show potential and professional aspects, especially the camera shots. We thought that the match cut we used was especially successful as it showed continuity. Also, the shot reverse shot at the end between Eniola and Lyah was professionally shot as it didn't have any jump cuts.
However, there are aspects which needs to be re-considered when we come to film our final opening thriller. This includes the jump cut of Eniola in the middle of the sequence. The positioning of the camera was changed and this made the sequence look unprofessional.
Inspiration - Peeping Tom
This is the opening of a psychological thriller from 1960 called 'Peeping Tom'. This has inspired us in many ways especially the camera shots that are present in the movie. Also, the movie is basically about a man who 'peeps' at woman and kills them whilst filming their facial expression. We have decided to incorporate the idea of 'peeping' into our own thriller opening. As a result we have decided to film a part of our opening at a location where there is a hole in the wall and someone 'peeping' through.
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